Ed Bennett Home

“...this composer has a manic obsessive streak that is almost unsettling it is so genuine.”

Classical Music Magazine

Welcome to the website of composer Ed Bennett. Here you can find out what he's been up to or more importantly listen to some of his music....Click here to listen.

Ed Bennett is a composer working in the fields of notated, improvised and electronic contemporary musics. His work, which has been described in the press as “anarchic” (Irish Times), “manic” (Classical Music), “brutal” (The Guardian) and “beautiful” (Gramophone) often combines acoustic, electronic and multimedia elements. He has been commissioned and performed internationally by many diverse artists and organizations and has been featured at major festivals including Gaudeamus, Bath International, Huddersfield, City of London, Homecoming, Crash, Sonorities, Sonic Circuits, Bang Festival, the BMIC Cutting Edge Series and New Music-New Ireland at Carnegie Hall, New York. Recordings of his work have been released on the Lorelt, Quartz and NMC labels.

He has collaborated extensively with artists working in different disciplines including choreographers and video artists and performs with and directs his own ensemble, decibel, which is dedicated to the performance of new and experimental cross-discipline work involving live instruments, electronics and video.

Recent projects and commissions include a new work for Garth Knox, a new work for ensemble, electronics, video and improvising saxophonist for the Ars Nova Ensemble (Sweden) and saxophonist Paul Dunmall (Integra/NGA Commission) and an orchestral work for BBC Radio 3. Future projects include several large ensemble commissions for Ensemble Profil (Bucharest), Orkest de ereprijs (Netherlands) and the Crash Ensemble (Dublin).

For a full biography click here

"Immediately Expressive. Sound that veers between the meditative and aggressive."
Gramaphone Magazine

“Ed Bennett’s Reaching was remarkable not only for thematic or harmonic invention, or even its use of the orchestra, some striking sonorities notwithstanding, but for its rhythmic energy and sheer determination to express itself.”
Irish Times

"Descending figures of real beauty hang in a still, fragile setting."
Fanfare (USA)

"A brutal onslaught."
The Guardian (UK)

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